{"id":3172,"date":"2022-09-28T22:34:16","date_gmt":"2022-09-28T22:34:16","guid":{"rendered":"https:\/\/libraryarchives.web.illinois.edu\/sousa\/?p=3172"},"modified":"2024-02-20T23:22:55","modified_gmt":"2024-02-20T23:22:55","slug":"salvatore-martiranos-marvelous-music-composing-machine-in-concert","status":"publish","type":"post","link":"https:\/\/wordpress.library.illinois.edu\/sousa\/2022\/09\/28\/salvatore-martiranos-marvelous-music-composing-machine-in-concert\/","title":{"rendered":"Salvatore Martirano\u2019s Marvelous Music-Composing Machine In Concert October 4, 2022"},"content":{"rendered":"

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The many dimensions of Salvatore Martirano. Photographs from the Salvatore Martirano Music and Papers, and the Salvatore Martirano website by Dorothy Martirano.<\/figcaption><\/figure><\/p>\n

The Sousa Archives preserves a wonderful array of historical music instruments of every shape, size, and name.\u00a0 One of our most unique instruments is Salvatore Martirano\u2019s Sal-Mar Construction.\u00a0 Martirano served on the faculty of the School of Music\u2019s Theory and Composition Department between 1963 and 1995.\u00a0 Today, he is recognized for his creation of a series of early electronic music systems, like the Sal-Mar Construction, to perform music using human and computer-generated sounds.<\/p>\n

The Sal-Mar, developed at the University of Illinois between 1969 and 1972, is an analog and digital instrument that continuously produces varied music soundscapes.\u00a0\u00a0 To comprehend this rare instrument one needs to understand the compositional nature of its creator.<\/p>\n

To be clear, our marvelous Sal-Mar Construction will not miraculously spin from thin air new Mozart sonatas or Jerry Garcia tunes.\u00a0 However, the instrument is capable of creating and producing infinite combinations of sound, timbre, rhythm, and form that when brought together by a performer become a continuous stream of music.<\/p>\n

According to David Rosenboom, who helped Martirano develop the music device, \u201cone might think of the Sal-Mar Construction as a macro-composition\u201d in which the instrument has the potential to generate \u201cinfinite streams of micro-compositions\u201d as unique movements or musical spaces from a single universal work.<\/p>\n

To experience this unusual rare instrument, one must see and hear it played in real time and space.\u00a0 On October 4, David Rosenboom will give a special lecture-performance, \u201cThe Multi-Faceted Compositional Legacy of Salvatore Martirano and His Sal-Mar Construction,\u201d at the University of Illinois\u2019 School of Music Auditorium (7:30-9:00pm,).\u00a0 A live performance of the Sal-Mar Construction by Greg Danner and Ken Beck will then be streamed from the Sousa Archives and Center for American Music where the instrument is permanently housed. \u00a0This presentation is part of the 2023 MillerComm series, “Neuromusic: Proposition from an Art-Science Convergence.”<\/p>\n

In addition to this special presentation and performance, the Sousa Archives’ new exhibit, “Intelligent Instruments: The Music Technology of Salvatore Martirano and David Rosenboom” opens at the School of Music on October 3 and will remain in the lobby of the Music Building until October 14 when it will be transfer to the Sousa Archives and Center for American Music in the Harding Band Building.<\/p>\n

For further information about this lecture-performance and the Sousa Archives\u2019 new exhibit call 217-333-4577 or email schwrtzs@illinois.edu.<\/p>\n","protected":false},"excerpt":{"rendered":"

The Sousa Archives preserves a wonderful array of historical music instruments of every shape, size, and name.\u00a0 One of our most unique instruments is Salvatore Martirano\u2019s Sal-Mar Construction.\u00a0 Martirano served on the faculty of the School of Music\u2019s Theory and Composition Department between 1963 and 1995.\u00a0 Today, he is recognized for his creation of a […]<\/p>\n","protected":false},"author":511,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[10],"tags":[],"class_list":["post-3172","post","type-post","status-publish","format-standard","hentry","category-in-the-news"],"acf":[],"_links":{"self":[{"href":"https:\/\/wordpress.library.illinois.edu\/sousa\/wp-json\/wp\/v2\/posts\/3172","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wordpress.library.illinois.edu\/sousa\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wordpress.library.illinois.edu\/sousa\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wordpress.library.illinois.edu\/sousa\/wp-json\/wp\/v2\/users\/511"}],"replies":[{"embeddable":true,"href":"https:\/\/wordpress.library.illinois.edu\/sousa\/wp-json\/wp\/v2\/comments?post=3172"}],"version-history":[{"count":1,"href":"https:\/\/wordpress.library.illinois.edu\/sousa\/wp-json\/wp\/v2\/posts\/3172\/revisions"}],"predecessor-version":[{"id":3733,"href":"https:\/\/wordpress.library.illinois.edu\/sousa\/wp-json\/wp\/v2\/posts\/3172\/revisions\/3733"}],"wp:attachment":[{"href":"https:\/\/wordpress.library.illinois.edu\/sousa\/wp-json\/wp\/v2\/media?parent=3172"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wordpress.library.illinois.edu\/sousa\/wp-json\/wp\/v2\/categories?post=3172"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wordpress.library.illinois.edu\/sousa\/wp-json\/wp\/v2\/tags?post=3172"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}