Infant Vision of Shakespeare

With an Apostrophe to the Immortal Bard, and Other Poems
Anthony Harrison
London: Printed for Harrison and Co., No. 18, Paternoster Row, 1794

In this panegyric poem, Nature takes the child William Shakespeare to her breast to nurture him and endow him with the power to understand and eloquently express every human emotion. “Nature’s richest stores” are shown him, good and bad, and Shakespeare gently ennobles them in his plays. The same idea is expressed visually in George Romney’s copperplate engraving of “Shakespeare Attended by Nature and the Passions.”

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Familiar Verses from the Ghost of Willy Shakespeare to Sammy Ireland

George Moutard Woodward
London: Richard White, Piccadilly, 1796

The author, also known as “Mustard George,” was a well-known caricaturist in the late eighteenth century. Those skills are put to use in this brief satire in which the ghost of Shakespeare gives advice to Samuel Ireland, whose son, William Henry Ireland, had been discredited for forging Shakespeare documents earlier in this same year. In a humorous twist near the end, Shakespeare critiques contemporary editors and stage directors, saying he’ll wave judgment and not “pronounce them forg’d,” because so many hands have edited and altered his works over the years “that I make oath, and swear it on the spot, / I scarce know what is mine, and what is not.”—FCR

Read the full text issued in Woodward’s Comic Works (1808)

Shakespeare Attended by Nature and the Passions

George Romney
Copperplate engraving by Benjamin Smith for The Boydell Shakespeare Prints
London: J. & J. Boydell, 1799

The birth of Shakespeare, as described in Thomas Gray’s Progress of Poesy (1757), was a favorite subject of Romney’s. “Nature unveils her face to her favorite Child” with Comedy and Tragedy on either side of him. To the right of Nature are Love, Hatred & Jealousy; on her left, Anger, Envy, and Fear.

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