{"id":1570,"date":"2018-04-03T16:09:11","date_gmt":"2018-04-03T16:09:11","guid":{"rendered":"http:\/\/wordpress.library.illinois.edu\/mtx\/?p=1570"},"modified":"2018-04-04T15:00:00","modified_gmt":"2018-04-04T15:00:00","slug":"music-in-the-mathematics-department","status":"publish","type":"post","link":"https:\/\/wordpress.library.illinois.edu\/mtx\/2018\/04\/03\/music-in-the-mathematics-department\/","title":{"rendered":"Music in the Mathematics Department"},"content":{"rendered":"


\nA special thanks to Laurel Post, Grainger Engineering Library Graduate Assistant, for creating this Mathematics Library exhibit.<\/p>\n

\"Musical<\/a><\/p>\n

On Tuesday, April 3rd, 2018 at 4:30 pm, in Altgeld Hall room 314, Professor Rudolf Haken from the University of Illinois\u2019 School of Music, will be performing in a concert titled \u201cMusic in the Mathematics Department\u201d. The concert will feature 5 & 6 string violas with pieces by Mozart, Bach, and Haken. Admission is free and open to the public.<\/p>\n

About Professor Rudolf Haken<\/h2>\n

\"Rudolf<\/a>
\nRudolf Haken is a violist and composer internationally renowned for his creative melding of disparate musical styles and genres. He is particularly known for his work with extended-range violas, appearing in concert on four continents with his Rivinus five-string viola and Jensen six-string electric viola.<\/p>\n

Performances of his compositions, including numerous commissioned works, have met with great success both in live performance and recordings. In September 2012, violinist Rachel Barton Pine premiered Rudolf Haken\u2019s solo violin work Faust at Chicago\u2019s Beethoven Festival. Pine had commissioned this work from Haken as part of an effort to bring heavy metal influence into solo acoustic violin music. In April 2011, Haken\u2019s Violin Concerto for Stefan Milenkovich was premiered at the NOMUS Festival (Novi Sad, Serbia) and at Kolarac Hall in Belgrade. A Centaur CD of concertos composed by Rudolf Haken was chosen as a 2007 \u201cCritics\u2019 Choice\u201d by American Record Guide. In 2004, WTTW-Chicago produced a video featuring Haken performing his transcriptions of Van Halen and Metallica on a Jensen five-string electric viola. This video was shown frequently in passenger areas at O\u2019Hare and Midway airports in Chicago.<\/p>\n

Mr. Haken started his career as a child prodigy. At the age of ten, he conducted his first orchestral works at the Krannert Center for the Performing Arts (University of Illinois) with the encouragement of Professor Charles DeLaney. As a child, Haken appeared frequently in the US and Europe as composer, conductor, soloist, and chamber musician. In his teenage years, Haken studied composition and piano with Hubert Kessler and viola with Guillermo Perich.<\/p>\n

Rudolf Haken\u2019s compositions, recordings, and teaching materials can be found at www.rudolfhaken.com. Currently, Haken is on the music faculty of the University of Illinois at Urbana-Champaign.<\/p>\n

Rudolf Haken \u2014 Selected Reviews and Quotes<\/h3>\n

\u201cUnbelievable multi-talented genius. Marvelous. He’s taken us to new places\u2014the new age of the viola is here.\u201d
\n\u2013 Bernard Zaslav (violist of the Fine Arts Quartet and Vermeer Quartet)<\/p>\n

\u201cHaken\u2019s concerto was such a success that the public demanded an encore and Milenkovich repeated the most virtuosic part of the concerto . . . The huge applause and screaming from the audience made it seem like we are all at a rock concert . . . a standing ovation from the audience of all generations . . .\u201d
\n\u2013 Radio Srbija, review of a violin concerto composed by Rudolf Haken, performed by Stefan Milenkovich with Camerata Academica Novi Sad<\/p>\n

\u201cOrdinary boundaries do not fence Rudolf Haken in . . . He flaunts his fiddling capabilities in a Concerto for Five-String Viola\u2014four wacky but well-crafted movements . . .\u201d
\n\u2013American Record Guide, review of Centaur CD of concertos composed by Rudolf Haken (selected as \u201cCritics\u2019 Choice\u201d for 2007)<\/p>\n

\u201cThe man with the unique super-viola . . . The versatility of the instrument was convincing, allowing the technically skilled and musically expert virtuoso to expand the narrow bounds of conventional instrumental art to an almost unlimited degree.\u201d
\n\u2013Westf\u00e4lische Rundschau<\/p>\n

\u201cA visit to Rudolf Haken\u2019s YouTube channel<\/a> . . . reveals the liveliness, the freedom, and the serenity that exemplifies this artist\u2014and the courage he has in presenting himself for videos. First we see him playing Van Halen and Metallica, in leather pants and cool poses, with an electric viola. Then, a few clicks further, Rudolf Haken is shown as an interpreter of Bach, in a concert hall, with great seriousness and interprative depth. He is a pioneer, as demonstrated by his repertoire, his way of working, and his manner. This is what drives him, and what he delivers to the audience.\u201d
\n\u2013 Siegener Zeitung<\/p>\n

Math and Music Quotes<\/h2>\n

\u201cWe can no more come to understand mathematics by examining its final product than we can understand the experience of music through simply looking at a score or an analysis of one; there is an experience that lies underneath and behind the systematic organization of the material.\u201d
\n– Music critic\/composer Edward Rothstein (p. 38 of his 2006 book Emblems of Mind: The Inner Life of Music and Mathematics)<\/p>\n

\u201cMusical form is close to mathematics — not perhaps to mathematics itself, but certainly to something like mathematical thinking and relationship.\u201d
\n– 20th century Russian composer Igor Stravinsky<\/p>\n

\u201cMusic is the pleasure the human soul experiences from counting without being aware that it is counting.\u201d
\n– German mathematician and philosopher Gottfried Wilhelm von Leibniz (1646-1716) who co-discovered calculus<\/p>\n

\u201cThere is geometry in the humming of the strings, there is music in the spacing of the spheres.\u201d
\n– Pythagoras<\/p>\n

\u201cAll musicians are subconsciously mathematicians.\u201d
\n– Thelonious Monk<\/p>\n

Items on Display<\/h2>\n

Books<\/h3>\n

Fauvel, John, et al. Music and Mathematics: from Pythagoras to Fractals<\/em>. Oxford University Press, 2003. Print. (Math 781 M973)
\nRoberts, Gareth E. From Music to Mathematics: Exploring the Connections. Johns Hopkins University Press, 2016. Print. (Math 780.051 R541f)<\/p>\n

Smith, Jordan B. L., et al. Mathemusical Conversations: Mathematics and Computation in Music Performance and Composition<\/em>. World Scientific, 2017. Print. (Math 781.2 M4508)<\/p>\n

Toussaint, Godfried T. The Geometry of Musical Rhythm : What Makes a “Good” Rhythm Good?<\/em> CRC Press, Taylor & Francis Group, 2013. Print. (Math 781.224 T649g)<\/p>\n

Wright, David. Mathematics and Music<\/em>. American Mathematical Society, 2009. Print. (781.0151 W93m)<\/p>\n

CD<\/h3>\n

Harkleroad, Leon. The Math behind the Music<\/em>. Cambridge University Press, 2006. CD. (510 H225m cdrom)<\/p>\n

\u201cMathematics has been used for centuries to describe, analyze, and create music. Leon Harkleroad explores the math related aspects of music from its acoustical bases to compositional techniques to music criticism, touching on overtones, scales, and tuning systems, the musical dice game attributed to Mozart and Haydn, the several-hundred-year-old style of bell-playing known as ringing the changes, the twelve-tone school of composition that strongly influenced music throughout the twentieth century, and many other topics involving mathematical ideas from probability theory to Fourier series to group theory. He also relates some cautionary tales of misguided attempts to mix music and mathematics. Both the mathematical and the musical concepts are described in an elementary way, making the book accessible to general readers as well as to mathematicians and musicians of all levels.\u201d<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":49,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2],"tags":[],"class_list":["post-1570","post","type-post","status-publish","format-standard","hentry","category-exhibits"],"acf":[],"_links":{"self":[{"href":"https:\/\/wordpress.library.illinois.edu\/mtx\/wp-json\/wp\/v2\/posts\/1570","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wordpress.library.illinois.edu\/mtx\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wordpress.library.illinois.edu\/mtx\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wordpress.library.illinois.edu\/mtx\/wp-json\/wp\/v2\/users\/49"}],"replies":[{"embeddable":true,"href":"https:\/\/wordpress.library.illinois.edu\/mtx\/wp-json\/wp\/v2\/comments?post=1570"}],"version-history":[{"count":6,"href":"https:\/\/wordpress.library.illinois.edu\/mtx\/wp-json\/wp\/v2\/posts\/1570\/revisions"}],"predecessor-version":[{"id":1580,"href":"https:\/\/wordpress.library.illinois.edu\/mtx\/wp-json\/wp\/v2\/posts\/1570\/revisions\/1580"}],"wp:attachment":[{"href":"https:\/\/wordpress.library.illinois.edu\/mtx\/wp-json\/wp\/v2\/media?parent=1570"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wordpress.library.illinois.edu\/mtx\/wp-json\/wp\/v2\/categories?post=1570"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wordpress.library.illinois.edu\/mtx\/wp-json\/wp\/v2\/tags?post=1570"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}