{"id":1985,"date":"2018-04-06T19:19:33","date_gmt":"2018-04-06T19:19:33","guid":{"rendered":"http:\/\/wordpress.library.illinois.edu\/mux\/?page_id=1985"},"modified":"2025-12-01T20:53:05","modified_gmt":"2025-12-01T20:53:05","slug":"steinway-duo-art-player-piano","status":"publish","type":"page","link":"https:\/\/wordpress.library.illinois.edu\/mux\/about\/collections\/specialcollections\/collections_descriptions\/steinway-duo-art-player-piano\/","title":{"rendered":"MPAL&#8217;s Steinway Duo-Art Reproducing Piano"},"content":{"rendered":"<div class=\"shortcode sh-grid sh-grid-cols-1 md:sh-grid-cols-12 sh-gap-3\"><div class=\"shortcode sh-col-span-8 sh-pb-3\"><\/p>\n<h2>About the Piano and Rolls<\/h2>\n<p>MPAL\u2019s Steinway\u00a0Model M walnut piano was made in\u00a0New York on October 4, 1927, and\u00a0then shipped to the Aeolian Company of New York City raw (with no lacquer), for installation of the player mechanism. Steinway made relatively few models over the years, and the M was the most common size for a home piano. To make them \u201cplayer ready\u201d the Steinway company lengthened the case by six inches, allowing the installation of the reproducing mechanics, but the rest of the piano remained the Model M scale design. School of Music inventory records indicate that the piano was purchased from Mrs. Lee Drendel in Springfield, IL in the 1950s or 1960s.<\/p>\n<p>In 2017, a generous grant from the University\u2019s Office of the Vice Chancellor for Institutional Advancement and additional funding from the Dean of Libraries and University Librarian John Wilkin, enabled renovation of the piano and creation of a secure room for it. The piano and its case were renovated by The Piano People of Champaign, IL and the player mechanism was restored by Mel Septon of Player Pianos Plus in Northbrook, IL. On September 22, 2018, an event was held featuring the renovated player piano and speakers Dr. Catherine Hennessy and Mel Septon.<\/p>\n<p>MPAL holds approximately 270 Duo-Art original and reprinted rolls as well as compatible rolls from companies such as Connorized, Imperial, and QRS. An inventory of the rolls is available on request.<\/p>\n<h2>Piano and Rolls Use Policy<\/h2>\n<p>Use of the piano and rolls is mediated by MPAL personnel. Interested individuals, groups, or classes should request an appointment\u00a0<a href=\"mailto:mpal@library.illinois.edu\">via email<\/a>. For extensive use of the collection\/piano beyond a one-time visit, it is best to schedule with us at least a month in advance. The piano rolls do not currently circulate outside of the library.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-2758 size-medium\" src=\"http:\/\/wordpress.library.illinois.edu\/mux\/wp-content\/uploads\/sites\/17\/2019\/10\/keyslip-300x225.jpg\" alt=\"Black and white keys of the Player Piano.\" width=\"300\" height=\"225\" srcset=\"https:\/\/wordpress.library.illinois.edu\/mux\/wp-content\/uploads\/sites\/17\/2019\/10\/keyslip-300x225.jpg 300w, https:\/\/wordpress.library.illinois.edu\/mux\/wp-content\/uploads\/sites\/17\/2019\/10\/keyslip-768x576.jpg 768w, https:\/\/wordpress.library.illinois.edu\/mux\/wp-content\/uploads\/sites\/17\/2019\/10\/keyslip-1024x768.jpg 1024w, https:\/\/wordpress.library.illinois.edu\/mux\/wp-content\/uploads\/sites\/17\/2019\/10\/keyslip.jpg 2016w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h2>Select Titles in MPAL About Player and Reproducing Pianos<\/h2>\n<h3>History and Reference Works<\/h3>\n<ul>\n<li><a href=\"https:\/\/i-share-uiu.primo.exlibrisgroup.com\/permalink\/01CARLI_UIU\/gpjosq\/alma99120747212205899\">The art of the player-piano: a text-book for student and teacher<\/a>; Grew, Sydney; 1922<\/li>\n<li><a href=\"https:\/\/i-share-uiu.primo.exlibrisgroup.com\/permalink\/01CARLI_UIU\/gpjosq\/alma99580121712205899\">Inventing entertainment: the player piano and the origins of an American musical industry<\/a>; Dolan, Brian; 2009<\/li>\n<li><a href=\"https:\/\/i-share-uiu.primo.exlibrisgroup.com\/permalink\/01CARLI_UIU\/gpjosq\/alma9970012312205899\">Pianola: the history of the self-playing piano<\/a>; Ord-Hume, Arthur; 1984<\/li>\n<li><a href=\"https:\/\/i-share-uiu.primo.exlibrisgroup.com\/permalink\/01CARLI_UIU\/gpjosq\/alma99302176012205899\">Player piano treasury; the scrapbook history of the mechanical piano in America as told in story, pictures, trade journal articles and advertising<\/a>; Roehl, Harvey; 1973<\/li>\n<li><a href=\"https:\/\/i-share-uiu.primo.exlibrisgroup.com\/permalink\/01CARLI_UIU\/gpjosq\/alma99159258612205899\">Reproducing pianos past and present<\/a>; Holliday, Kent; 1989<\/li>\n<li><a href=\"https:\/\/i-share-uiu.primo.exlibrisgroup.com\/permalink\/01CARLI_UIU\/gpjosq\/alma99954715389005899\">Sound conversations: print media, player pianos, and early radio in the United States<\/a> (U of I dissertation); Wolter, Catherine Hennessy; 2016<\/li>\n<\/ul>\n<ul>\n<li><a href=\"https:\/\/i-share-uiu.primo.exlibrisgroup.com\/permalink\/01CARLI_UIU\/gpjosq\/alma99167723112205899\">The Classical reproducing piano roll: a catalogue-index<\/a>; Sitsky, Larry; 1990<\/li>\n<li><a href=\"https:\/\/i-share-uiu.primo.exlibrisgroup.com\/permalink\/01CARLI_UIU\/gpjosq\/alma99941724912205899\">Duo-Art Piano Music: a classified catalog of the world\u2019s best music recorded by more than two hundred and fifty pianists for the Duo-Art reproducing piano<\/a>; Aeolian Company; 1927<\/li>\n<li><a href=\"https:\/\/i-share-uiu.primo.exlibrisgroup.com\/permalink\/01CARLI_UIU\/gpjosq\/alma9935130812205899\">Music for the Aeolian grand<\/a>; Aeolian Company; 1901<\/li>\n<\/ul>\n<h3>Composers Writing for or Performing on Player Piano<\/h3>\n<p>The player piano generated intense interest for many composers when it was first manufactured. Composers such as George Gershwin, Igor Stravinsky, and Sergei Prokofiev were all enthusiastic about the artistic potential and enterprising record companies such as Duo-Art had composers record their own pieces.<\/p>\n<p>The player piano was by no means universally popular or respected by composers or musicians. In 1906 John Philip Sousa wrote of the \u201cmenace of mechanical music\u201d because \u201cThe new technologies of player pianos were so dangerous that [he] felt compelled to spur his public to action before music was reduced to a mere \u2018mathematical system of megaphones, wheels, cogs, discs, cylinders, and all manner of revolving things.\u2019\u201d [Warfield, Patrick. 2009. &#8220;John Philip Sousa and &#8220;the Menace of Mechanical Music&#8221;.&#8221;\u00a0<em>Journal of the Society for American Music<\/em>\u00a03 (4) (11): 431-463.]<\/p>\n<p>Later into the twentieth century, composers began experimenting with writing music specifically for the player piano, featuring instructions in the sheet music that would be nearly impossible for a human to do, but perfectly doable for the mechanics of the player piano.<\/p>\n<p>Select examples of composers writing for or performing on player piano in MPAL\u2019s collection:<\/p>\n<ul>\n<li><a href=\"https:\/\/i-share-uiu.primo.exlibrisgroup.com\/discovery\/search?query=any,contains,zez%20confrey%20player%20piano&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01CARLI_UIU:CARLI_UIU&amp;lang=en&amp;offset=0\">Zez Confrey<\/a><\/li>\n<li><a href=\"https:\/\/i-share-uiu.primo.exlibrisgroup.com\/permalink\/01CARLI_UIU\/gpjosq\/alma99954908402405899\">Ruth Garland<\/a><\/li>\n<li><a href=\"https:\/\/i-share-uiu.primo.exlibrisgroup.com\/discovery\/search?query=any,contains,gershwin%20%22player%20piano%22&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01CARLI_UIU:CARLI_UIU&amp;lang=en&amp;offset=0\">George Gershwin<\/a><\/li>\n<li><a href=\"https:\/\/i-share-uiu.primo.exlibrisgroup.com\/discovery\/search?query=any,contains,Percy%20Grainger%20%22player%20piano%22&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01CARLI_UIU:CARLI_UIU&amp;lang=en&amp;offset=0\">Percy Grainger<\/a><\/li>\n<li><a href=\"https:\/\/i-share-uiu.primo.exlibrisgroup.com\/discovery\/search?query=any,contains,Hiller%20%22player%20piano%22&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01CARLI_UIU:CARLI_UIU&amp;lang=en&amp;offset=0\">Lejaren Hiller<\/a><\/li>\n<li><a href=\"https:\/\/i-share-uiu.primo.exlibrisgroup.com\/discovery\/search?query=any,contains,nancarrow%20%22player%20piano%22&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01CARLI_UIU:CARLI_UIU&amp;lang=en&amp;offset=0\">Conlon Nancarrow<\/a><\/li>\n<li><a href=\"https:\/\/i-share-uiu.primo.exlibrisgroup.com\/discovery\/search?query=any,contains,Igor%20Stravinsky%20%22player%20piano%22&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01CARLI_UIU:CARLI_UIU&amp;lang=en&amp;offset=0\">Igor Stravinsky<\/a><\/li>\n<\/ul>\n<p><em>Note that not all piano rolls have been entered in the Library\u2019s catalog, so there are more examples not listed here.<\/em><\/p>\n<\/div>\n<div class=\"shortcode sh-col-span-4 sh-pb-3\">\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-2755 aligncenter\" src=\"http:\/\/wordpress.library.illinois.edu\/mux\/wp-content\/uploads\/sites\/17\/2019\/10\/roll-Copy-300x169.jpg\" alt=\"Close-up of a portion of a player piano roll.\" width=\"451\" height=\"254\" srcset=\"https:\/\/wordpress.library.illinois.edu\/mux\/wp-content\/uploads\/sites\/17\/2019\/10\/roll-Copy-300x169.jpg 300w, https:\/\/wordpress.library.illinois.edu\/mux\/wp-content\/uploads\/sites\/17\/2019\/10\/roll-Copy-768x432.jpg 768w, https:\/\/wordpress.library.illinois.edu\/mux\/wp-content\/uploads\/sites\/17\/2019\/10\/roll-Copy-1024x576.jpg 1024w, https:\/\/wordpress.library.illinois.edu\/mux\/wp-content\/uploads\/sites\/17\/2019\/10\/roll-Copy.jpg 1556w\" sizes=\"auto, (max-width: 451px) 100vw, 451px\" \/><\/p>\n<div class=\"shortcode sh-p-4 sh-rounded sh-drop-shadow-sm sh-bg-orange-200 !sh-text-black \"><div><div class=\"\">\n<h2>Images and Audio<\/h2>\n<p><a href=\"https:\/\/omeka-s.library.illinois.edu\/s\/MPAL\/page\/player-piano-welcome\">Digital exhibit<\/a> with images and audiovisual clips of MPAL\u2019s DuoArt.<\/p>\n<p>Images from the restoration process of the piano can be viewed on <a href=\"https:\/\/uofi.box.com\/v\/MPAL-PlayerPianoPictures\">U of I Box<\/a>.<\/p>\n<\/div><\/div><\/div>\n<div class=\"shortcode sh-p-4 sh-rounded sh-drop-shadow-sm sh-bg-neutral-200 !sh-text-black \"><div><div class=\"\">\n<h2>Upcoming Events<\/h2>\n<p>Check our <a href=\"https:\/\/calendars.illinois.edu\/list\/6591\">Events Calendar<\/a> for upcoming player piano demonstrations.<br \/>\n<\/div><\/div><\/div><\/p>\n<div class=\"shortcode sh-p-4 sh-rounded sh-drop-shadow-sm sh-bg-orange-200 !sh-text-black \"><div><div class=\"\">\n<h2>External Sites<\/h2>\n<ul>\n<li><a href=\"https:\/\/www.amica.org\/index.htm\">AMICA (Automatic Musical Instrument Collector\u2019s Association)<\/a><\/li>\n<li><a href=\"https:\/\/www.pianola.org\/\">The Player Piano Page<\/a>\n<ul>\n<li><a href=\"https:\/\/www.pianola.org\/reproducing\/reproducing.cfm\">The Reproducing Piano<\/a><\/li>\n<li><a href=\"https:\/\/www.pianola.org\/reproducing\/reproducing_duo-art.cfm\">DuoArt<\/a><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/div><\/div><\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>About the Piano and Rolls MPAL\u2019s Steinway\u00a0Model M walnut piano was made in\u00a0New York on October 4, 1927, and\u00a0then shipped to the Aeolian Company of New York City raw (with no lacquer), for installation of the player mechanism. Steinway made relatively few models over the years, and the M was the most common size for [&hellip;]<\/p>\n","protected":false},"author":41,"featured_media":0,"parent":151,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-1985","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/wordpress.library.illinois.edu\/mux\/wp-json\/wp\/v2\/pages\/1985","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wordpress.library.illinois.edu\/mux\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wordpress.library.illinois.edu\/mux\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wordpress.library.illinois.edu\/mux\/wp-json\/wp\/v2\/users\/41"}],"replies":[{"embeddable":true,"href":"https:\/\/wordpress.library.illinois.edu\/mux\/wp-json\/wp\/v2\/comments?post=1985"}],"version-history":[{"count":21,"href":"https:\/\/wordpress.library.illinois.edu\/mux\/wp-json\/wp\/v2\/pages\/1985\/revisions"}],"predecessor-version":[{"id":5343,"href":"https:\/\/wordpress.library.illinois.edu\/mux\/wp-json\/wp\/v2\/pages\/1985\/revisions\/5343"}],"up":[{"embeddable":true,"href":"https:\/\/wordpress.library.illinois.edu\/mux\/wp-json\/wp\/v2\/pages\/151"}],"wp:attachment":[{"href":"https:\/\/wordpress.library.illinois.edu\/mux\/wp-json\/wp\/v2\/media?parent=1985"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}