IT WAS A DARK AND STORMY NIGHT: Haunting book plates from West Chicago Public Library District

Happy Halloween from the IDHH. Tonight we’re staying in and looking back through our most chilling collections from our contributors. If you’re feeling the boundary between this and other worlds thinning tonight, and looking for a little more, we recommend starting with the Cornelia Neltor Anthony and Frank D. Anthony Book Plate Collection at West Chicago Public Library District.

The Cornelia Neltor Anthony and Frank D. Anthony Book Plate Collection includes over 6000 individual book plates collected over 12 years by Cornelia Neltor Anthony before she donated her collection in 1935. At one point considered the second largest collection, just behind the Library of Congress’, the book plates show the more eerie side of individual book collecting.  Used to claim ownership of a book, to both deter book thieves and provide instructions for those who come across lost books. Here among the ex-libris are depictions of reading and what books contain, including dark and stormy nights:

black ink bookplate of a gothic castle on a hill with lightning in the background and a stormy sea in the foreground, with a border of statuesque figurines
It was a dark and stormy night. Waves and lightning were shaking the castle. From the library of Winward and Hazel Prescot. Designed by Charles William Sherborn. 1911.West Chicago Public Library District. Cornelia Neltnor Anthony and Frank D. Athony Book Plate Collection. Permission to display given by West Chicago Public Library District.

 Reading by candlelight:

black ink bookplate of an open book with an unlit candlestick on each side and a bare tree in the top with a holly leaf border.
Reading through the night, the pages lit by candlesticks. From the library of Phoebe C. Greeley’s collection, designed by Julia Collins Stohr. 1926. West Chicago Public Library District. Cornelia Neltnor Anthony and Frank D. Anthony Book Plate Collection. Permission to display given by West Chicago Public Library District.

or other scenes with archaic and occult moods:

black ink book plate of a full moon on a cloudy night rising over a chimney on a house.
When the storm cleared a full moon rose behind the tower. Book plate from Helen Banks, designed by Charles Searle McDonald, 1922. West Chicago Public Library District. Cornelia Neltnor Anthony and Frank D. Anthony Book Plate Collection. Permission to display given by West Chicago Public Library District.

Including fantastic and macabre images of reading:

Book plates pull together the arcane and the scientific, blending what appeals to contemporary readers, including mysticism. These images provide commentary on the purpose of the book, and attitudes people have with reading, including their desires and daydreams. Not all books are spell books, but some spells are to protect them.

black ink bookplate of a Sator Square within a pentagram surrounded by farm tools and alchemical and mystical iconography.
A Sator Square embedded in religious and mystic signs and tools. From the library of Henry Van Arsdale, designed by Jay Chambers, 1921. West Chicago Public Library District. Cornelia Neltnor Anthony and Frank D. Anthony Book Plate Collection. Permission to display given by West Chicago Public Library District.

These book plates also include a healthy dose of melancholy and death. Pulling from mythic and christian symbolism, and literature itself.  The owl symbolizing knowledge, wisdom, magic and skepticism, and the skull as memento mori- the reminder of both death and memory, heighten the fear factor.

 For more meditations on fear, reading, and the arcane, including black cats, bats, magic, star-crossed lovers, and hauntings of the skull and owl variety check out the rest of the collection from West Chicago Public Library District on the IDHH. Happy Halloween. 
 

Baseball at the IDHH

Tonight is Game Three of the World Series. To celebrate we’re highlighting a few pictures of baseball in Illinois.

There is a rich debate about the origins of baseball, both in terms of its evolution- and place, but we know that by the mid-19th century, baseball was already ingrained into American life and community. Both Union and Confederate soldiers documented baseball games in their diaries, including games played as prisoners of war. After the war communities formed clubs of their own, making baseball one of the first instances of communities establishing their own identities.  
In Illinois, as early as 1869 the Cairo Bulletin was reporting on games in bordering Missouri. By 1870, the Cairo Deltas and Egyptians were playing in Missouri, Kentucky, and Illinois as clubs and regional leagues began to form across the state.
Below are some of the greatest hits from Bess Bower Dunn Museum of Lake County, Cherry Valley Historical Society, Chicago History Museum, and the University of Illinois at Urbana-Champaign showing how the game was played in our communities from the 1880’s onward, and became an international phenomenon in the early 20th century.
The Dunn Museum’s Fort Sheridan Collection includes several images of baseball as a part of life on the Fort.

black and white photo of a woman in mid-20th century baseball uniform jumping up with open glove to catch a baseball
Woman Playing shortstop, C.1945. Unknown Photographer. Bess Bower Dunn Museum of Lake County (IL). Fort Sheridan collection. Permission to display was provided by the Bess Bower Dunn Museum.

 

sepia-tone photo of a man in army uniform shaking hands with a man in a top hat and coat tails and exchanging a baseball bat while other men observe
Man in Army Uniform Shaking Hands, Exchanging Baseball Bat, C. 1920. Unknown Photographer. Bess Bower Dunn Museum of Lake County (IL). Fort Sheridan. Permission to display was provided by the Bess Bower Dunn Museum.

The Cherry Valley Historical Society Cherry Valley Local History Collection includes team portraits of Cherry Valley Wildcats, and little leaguers from the first half of the century, showing what community sports looked like and how communities supported teams during baseball’s most nostalgic moment.

black and white photo of nine men sitting in grass in two rows wearing early 20th century baseball uniforms
Cherry Valley Baseball Team, C. 1916. Unknown Photographer. Cherry Valley Historical Society. Cherry Valley Local History Collection. Permission to display was provided by the Cherry Valley Public Library District.

Cherry Valley Baseball Team, C. 1916. Unknown Photographer. Cherry Valley Historical Society. Cherry Valley Local History Collection.
Meanwhile, the Chicago History Museum’s Museum Collection and Prints and Photographs Collection includes artifacts and photographs from Chicago’s MLB teams, the Cubs and the White Sox:

black and white photo of a baseball player catching a ball in front of a large crowd in the stands
Chicago Cub Ron Santo catching a foul ball at Wrigley Field, 1969. Jack Lenahan, photographer, Chicago Daily News Inc. Chicago History Museum. Prints and Photographs Collection. Permission to display was provided by the Chicago History Museum.
black and white photo of the exterior of Wrigley Field with a "Chicago Cubs" sign visible
Wrigley Field from Sheffield and Waveland avenues, 1964. F.S. Dauwalter, Photographer. Chicago History Museum. Prints and Photographs Collection. Permission to display was provided by the Chicago History Museum.


And lastly, the University of Illinois at Urbana-Champaign’s Picture Chicago Collection includes this great picture of the Chicago White Sox and New York Giant’s in front of The Great Sphinx during their 1913-1914 world tour:

black and white photo of a large crowd of people posed in rows with the Great Sphinx and one of the Pyramids of Giza
Chicago White Sox and New York Giants in front of the Sphinx during their World Tour 1913-1914, 1914. Unknown Photographer. University of Illinois at Urbana-Champaign. Picture Chicago.

For more fall ball, or if you’re still daydreaming of summer, check out our contributor’s collections on the Illinois Digital Heritage Hub Website.

 

Eureka Pumpkin Festival

This month at the IDHH we’re looking back at how agriculture and industry shaped civic life in small-town Illinois. We’re looking especially at how agriculture and industry created senses of local identity that could be celebrated. It’s now fall, and Illinois’ legacy of harvest festivals, and celebrating the busy growing season as a community is close to our heart. Looking back through our contributor’s collections we found “Pumpkins, Parades, and Pies– Eureka’s Pumpkin Festival Past 1939-1961” from our partner the Eureka Public Library District.

color souvenir booklet for the 1951 Eureka pumpkin festival with a pumpkin on a cart being pulled and pushed by two garden gnomes while another gnome rides on the pumpkin.
Souvenir booklet for the 1951 Eureka Pumpkin Festival. Permission To display provided by Eureka Public Library District.

Between 1939 and 1961 the third weekend of September saw the Eureka Pumpkin Festival in Eureka IL. It was first organized by the Eureka Community Association to bolster the local economy after the Great Depression. Its first year, the festival brought 10,000 visitors over the course of the weekend to the small town of 1,700 people. The Eureka Public Library District has gathered over 300 photographs, scans of pamphlets, recipe books, and souvenir ephemera that document the festival. Eureka’s connection with pumpkins began 35 years earlier when Dickinson and Company first canned pumpkin, relying heavily on local farms with their success. Dickinson and Company was bought by Chicago-based Libby, McNeil, and Libby Company in 1929, and with it the recipe for “pumpkin custard”. With Libby’s nationwide distribution network, canned pumpkin became an autumn staple in homes across the country.

Above: Libby’s “custard pumpkin pie” label used in conjunction with Eureka Pumpkin festival c.1946. Bottom: A Libby’s Pumpkin Can Signed by actor Ronald Reagan c. 1947. Eureka College Ronald Reagan Museum. Permission to display images provided by the Eureka Public Library District.

The festival continued annually for the first three years, but was interrupted and discontinued with the United States’ involvement in World War II after the 1941 festival. Global politics and community life was reflected in the parade’s floats, where both themes of peace, agricultural heritage and social clubs, and anticipating the United States’ entrance in WWII, canning’s contribution to war preparedness.

black and white picture of a large parade float for the pumpkin festival.
“The Pumpkin Center of the World”. 1946 Pumpkin Festival grand prize winning float built by Robert Faubel and Robert Schertz. Featuring pumpkin made of flowers and a float lined with cornstalks. Faubels’ son stands on top.
Permission to display was provided by the Eureka Public Library District.

After WWII, the festivals ballooned to 50,00 people attending. In 1947, then-film star and Eureka College alumnus Ronald Reagan and Governor Dwight H. Green were invited to Eureka to crown Joan Snyder the Pumpkin Queen. The Pumpkin Queen and her attendants were a large part of the parade, in so many ways the face of the other hundreds of coordinators and volunteers who made the festival possible.  Photographs of the Queen and her attendants in the collection show an interesting and idiosyncratic spin on mid-century pageants.  The promotional material generated for the souvenir booklet (of which all the post-World War II festival’s have been fully scanned as part of the collection) show the Queen and her attendants in a local pumpkin field in full pageant-wear.

 In 1959, the centennial celebration included a beard-growing and period-wear contest in addition to the traditional pageant. 

black and white photo of a group of men with great, large beards.
Men in their centenary beards, 1959.Permission to display was provided by the Eureka Public Library District.

The last Eureka Pumpkin Festival was held in September 1961. The November prior, Libby’s closed the Eureka canning factory and moved its operations to the Morton plant.  For more on the pumpkin and mid-century american life be sure to visit Eureka Public Library District’s collection. Happy Autumn.

black and white photo of a woman bending over and holding a pumpkin pie for four toddler-aged children to see.
Mrs. Robert Johann of the Junior Women’s Club and four children marvel over a pumpkin pie. Permission to display was provided by the Eureka Public Library District.