About Us

Preservation Unit 
425 Library, MC-522
UIUC Library
1408 West Gregory Dr.
Urbana, IL 61801
217-244-1626

Conservation Lab 
Oak St. Library Facility
OSLF, 2nd Floor
809 South Oak Street
Mail Code 527
Champaign, IL 61820
217-265-4198

Bibliography

A:

 

Adelstein, Peter Z. (2004). IPI media storage quick reference. Rochester, N.Y.: Image Permanence Institute, Rochester Institute of Technology. Retrieved December 3, 2007, from http://www.imagepermanenceinstitute.org/shtml_sub/msqr.pdf

Allen, David Randel. (2003). State of recorded sound: Survey of surveys. Report prepared by the Communications Office, Inc. for the Council on Library and Information Resources.

Artim, Nicholas. (1993). Cultural heritage fire suppression systems: Alternatives to Halon 1301. WAAC Newsletter, 15(2), 34-36.

 

B:

 

Baldwin, David A. (2004, Fall). Toward an appraisal model for audio materials in regional archives and historical societies. ARSC Journal, 35(2), 179-96.

Becker, Snowden. (2007, Spring). See and save: Balancing access and preservation for ephemeral moving images. Spectator - The University of Southern California Journal of Film and Television, 27(1), 21-28.

Beggs, Josh & Thede, Dylan. (2001). The science of sound and digital audio. Designing Web Audio. Sebastopol, CA: O'Reilly & Associates. Retrieved December 17, 2007, from http://docstore.mik.ua/orelly/web2/audio/ch02_01.htm 

Besser, Howard. (2001, Fall). Digital preservation of moving image material?The Moving Image. Retrieved December 14, 2007, from http://www.gseis.ucla.edu/~howard/Papers/amia-longevity.html

Bigourdan, Jean-Louis. (n.d.). Vinegar syndrome: An action plan. Rochester, N.Y.: Image Permanence Institute, Rochester Institute of Technology. Retrieved December 4, 2007, from http://www.imagepermanenceinstitute.org/shtml_sub/actionplan.pdf

Bigourdan, Jean-Louis, Coffey, Liz, & Swanson, Dwight. (n.d.). The home film preservation guide. Retrieved December 3, 2007, from http://www.filmforever.org/

Bigourdan, Jean-Louis, Reilly, James M., Santoro, Karen, & Salesin, Gene. (2006, December 22). The preservation of magnetic tape collections: A perspective. Final report to National Endowment for the Humanities Division of Preservation and Access (NEH GRANT # PA-50123-03). Rochester, NY: Image Permanence Institute, Rochester Institute of Technology. Retrieved October 17, 2007, from http://www.imagepermanenceinstitute.org/shtml_sub/NEHTapeFinalReport.pdf

Blake, Julie C., & Schleper, Susan P. (2004). From data to decisions: Using surveys and statistics to make collection management decisions. Library Collections, Acquisitions, & Technical Services, 28(4), 460-4.

Blood, George. (2002, August 23). Planning an audio preservation transfer project. Paper presented at the annual meeting of the Society of American Archivists, Birmingham, AL. Retrieved April 10, 2009, from http://www.safesoundarchive.com/papers.cfm (unavailable as of 7/19/10)

Boles, Frank & Young, Julia Marks. (2000). Exploring the black box: The appraisal of university administrative records. In Randall C. Jimerson (Ed.), American archival studies: Readings in theory and practice (pp. 279-300). Chicago, IL: Society of American Archivists.

Bolnick, Doreen & Johnson, Bruce. (1989, November 15). Audiocassette repair. Library Journal, 114(19), 43-46.

Bosley, Rachel K. (2001, November). Second chances. American Cinematographer, 82(11), 99-110.

Boyle, Deirdre. (1993). Video preservation: Securing the future of the past. New York: Media Alliance.

Bradley, Kevin. (2006). Risks associated with the use of recordable CDs and DVDs as reliable storage media in archival collections - Strategies and alternatives. Paris, France: UNESCO.

Breaden, Ian Craig. (2006, Spring/Summer). Sound practices: On-line audio exhibits and the cultural heritage archive. American Archivist, 69, 33-59.

Bromberg, Nicolette & Palin, Hannah, with Burke, Libby. (2004). Washington state film preservation manual: Low-cost and no-cost suggestions to care for your film. Washington Preservation Initiative and the University of Washington Libraries, Special Collections Division. Retrieved December 10, 2008, from http://www.lib.washington.edu/specialcoll/film/preservationmanual.pdf

Brothers, Peter. (2006). Hurricane & flood recovery advice: Magnetic tapes can survive flood exposure. SpecsBrothers. Retrieved February 13, 2008, from http://www.specsbros.com/h_flood.htm

Brylawski, Samuel. (2002, April). Preservation of digitally recorded sound. Building a national strategy for digital preservation: Issues in digital media archiving (pp. 52-66). Washington, D.C.: Council on Library and Information Resources and Library of Congress.

 

C:

 

Castelli, Donatella. (2006). Digital libraries of the future - and the role of libraries. Library Hi Tech, 24(4), 496-503.

CDP Digital Audio Working Group. (2006, October). Digital audio best practices: Version 2.1. Aurora, CO: BCR. Retrieved April 10, 2009, from http://www.bcr.org/dps/cdp/best/digital-audio-bp.pdf

Clark, Jeff. (2002). Preserving the image: Video preservation. In Gary Handman (Ed.), Video collection development in multi-type libraries: A handbook (pp 224-241). Westport, Connecticut: Greenwood Press.

Colburn, Scoot. (n.d.). Introduction to digital audio: A basic overview of digital audio. ProSoundWeb. Retrieved December 17, 2007, from http://www.prosoundweb.com/recording/tapeop/intro-digital/dg2.php

 

D:

 

DeCandido, Robert. (1995). Statistical methodologies for preservation. New Library Scene 14, 9-10.

De Stefano, Paula. (2000). Digitization for preservation and access. In Paul N. Banks & Roberta Pilette (Eds.), Preservation: Issues and planning (pp. 307-322). Chicago: American Library Association.

De Stefano, Paula. (2003). Moving image preservation in libraries. Library Trends, 52(1), 118-32.

Drott, M. Carl. (1969). Random sampling: A tool for library research. College and Research Libraries, 30(2), 119-125.

 

E:

 

Edmondson, Ray. (2004). Audiovisual archiving: Philosophy and principles. Paper presented at United Nations Educational, Scientific and Cultural Organization, Paris, France. Retrieved January 28, 2008, from  http://unesdoc.unesco.org/images/0013/001364/136477e.pdf

Eng, Sidney, & Hernandez, Flor A. (2006). Managing streaming video: A new role for technical services. Library Collections, Acquisitions, & Technical Services, 30(3), 214-23.

Evans, Bronwen. (1993). The Duke Library Project: Using an item-by-item assessment to develop a conservation programme. The Paper Conservator 17, 39-44.

 

F:

 

Farrington, Jim. (1991, December). Preventive maintenance for audio discs and tapes. Notes, 48(2), 437-445.

Fenimore, Charles. (2001, October). Mastering and archiving uncompressed digital video test materials. SMPTE Journal, 110(10), 726-35.

Ferullo, Donna L. (2004). Major copyright issues in academic libraries: Legal implications of a digital environment. Journal of Library Administration, 40(1), 23-40.

Field, Thomas G. Jr. (2008). Copyright in visual arts. Concord, N.H: Franklin Pierce Law Center. Retrieved April 10, 2009, from http://www.piercelaw.edu/thomasfield/ipbasics/copyright-in-visual-arts.php

Fisher, Bob & Bosley, Rachel K. (2001, November). Protecting our heritage. American Cinematographer 82(11), 85-110.

Fleischhauer, Carl. (2003). Looking at preservation from the digital library perspective. The Moving Image, 3(2), 96-100.

Floray, Steven P., Horton, Taylor, Knapp, Tony, Pasiuk, Janet, & Vogt-O'Connor, Diane. (2003, June). Handling and shipping cellulose nitrate film. Conserve O Gram, 2/20. Washington, D.C.: National Park Service. Retrieved April 13, 2009, from http://www.nps.gov/history/museum/publications/conserveogram/02-20.pdf

Forgas, Letitia. (1997). The preservation of videotape: Review and implications for libraries and archives. Libri, 47(1), 43-56.

Frost, Hannah. (2003, July 24-26). Surveying sound recording collections. Paper presented at the symposium on Sound Savings: Preserving Audio Collections. Association of Research Libraries, Austin, Texas. Retrieved September 20, 2007, from http://www.arl.org/preserv/sound_savings_proceedings/surveying_sound-2.shtml

 

G:

 

Gasaway, Laura. (1983, July). Audiovisual materials and copyright in special libraries. Special Libraries, 74, 222-39.

Gasaway, Laura. (2001, Fall). Copyright and sound recordings: Overview and update. ARSC Journal, 32(2), 217-31.

Gertz, Janet. (2000, April). Selection for preservation in the digital age: An overview. Library Resources & Technical Services, 44, 97-104.

Getty Research Institute. Data standards and guidelines. J. Paul Getty Trust. http://www.getty.edu/research/conducting_research/standards/

Gibson, Gerald D. (1987). Decay and degradation of disk and cylinder recordings in storage. In Eva Orbanz (Ed.), Archiving the audio visual heritage: A joint technical symposium (pp. 47-53). Berlin, Germany: Stiftung Deutsche Kinemathek.

Gilliland-Swetland, Anne J. (2000). Enduring paradigm, new opportunities: The value of the archival perspective in the digital environment. Washington, DC: Council on Library and Information Resources.

Gracy, Karen F. (2003). Documenting the process of film preservation. The Moving Image, 3(1), 1-41.

Green, Paul. (2003). A method for undertaking a full conservation audit of special collections of books and manuscripts. Collection Management, 28(4), 23-41.

Greiner, Tony. (2004, July/August). Preserving videotapes in libraries. Public Libraries, 43(4), 219-222.

Grimstad, Marit. (2004, April/June). The Digital Radio Archives (DRA) at the Norwegian Broadcasting Corporation. Fontes Artis Musicae, 51(2), 169-72.

Griscom, Richard. (2003, March). Distant music: Delivering audio over the internet. Notes, 59(3), 521-541.

Guidelines for off-air taping for educational purposes (Kastenmeier guidelines). (1984, October 14). Congressional Record. UC Berkeley Library. Retrieved January 10, 2008, from http://www.lib.berkeley.edu/MRC/Kastenmeier.html

 

H:

 

Handman, Gary P. (2002). The rights stuff: Video copyright and collection development. In Gary P. Handman (Ed.), Video collection development in multi-type libraries: A handbook (2nd ed.) (pp. 287-305). Westport, Conn.: Greenwood Press.

Harper, Georgia K. (2003, July 24-26). Copyright law and audio preservation. Paper presented at the symposium on Sound Savings: Preserving Audio Collections. Association of Research Libraries, Austin, Texas. Retrieved September 20, 2007, from http://www.arl.org/preserv/sound_savings_proceedings/Copyright_law_audio_pres.shtml

Hernon, Peter & McClure, Charles R. (1990). Sampling. Evaluation and library decision making(pp. 104-117). Norwood, NJ: Ablex.

Heuring, David. (2001, November). The learning curve. American Cinematographer, 82(11), 102-110.

Hillmann, Diane I. (2005, November 7). Using Dublin Core. Retrieved April 10, 2009, from http://dublincore.org/documents/2005/11/07/usageguide/

Holzberlein, Deanne with the assistance of Dolly Jones. (1988). Cataloging sound recordings: A manual with examples. New York: Haworth Press.

Hoon, Peggy. (2007). Know your copy rights: What you can do. Association of Research Libraries. Retrieved April 10, 2009, from http://www.knowyourcopyrights.org/bm~doc/kycrbrochure.pdf

Howe, Tom. (1995). CED Magic - the RCA SelectaVision VideoDisc web site. Retrieved March 18, 2008, from http://www.cedmagic.com/selectavision.html

Hunter, Gregory S. (2003). Developing and maintaining practical archives. How-to-do-it manuals for librarians (2nd ed.) (Vol. 122). New York: Neal-Schuman.

 

I:

 

Ide, Mary & Weisse, Leah. (2003). Developing preservation appraisal criteria for a public broadcasting station. The Moving Image, 3(1), 146-57.

Ide, Mary & Weisse, Leah. (2006). Preserving digital public television: A project by the Library of Congress. Washington, D.C.: Library of Congress.

Image Permanence Institute. (2001). User's guide for A-D strips: Film base deterioration monitors. Rochester, N.Y.: Image Permanence Institute, Rochester Institute of Technology. Retrieved December 4, 2007, from http://www.imagepermanenceinstitute.org/shtml_sub/adinstr.pdf

Iraci, Joe. (2002). Disaster recovery of modern information carriers: Compact discs, magnetic tapes and magnetic discs. Technical Bulletin (No. 25). Ottawa: Canadian Conservation Institute.

Iraci, Joe. (2005). Remedies for deteriorated or damaged modern information carriers. Technical Bulletin (No. 27). Ottawa: Canadian Conservation Institute.

 

J:

 

Jantz, Ronald & Giarlo, Michael J. (2005). Digital preservation: Architecture and technology for trusted digital repositories. D-Lib Magazine, 11(6). Retrieved December 17, 2007, from http://www.dlib.org/dlib/june05/jantz/06jantz.html

 

K:

 

Kahn, Miriam B. (2004). Protecting your library's digital sources. Chicago, IL: American Library Association.

King, Gretchen. (n.d.). Magnetic wire recordings: A manual including historical background, approaches to transfer and storage, and solutions to common problems. University of Washington Ethnomusicology Archives. Retrieved February 9, 2009, from http://www.music.washington.edu/ethno/wire1.html

Knapp, Tony & Vogt-O'Connor, Diane. (2004, August). Caring for cellulose nitrate film. Conserve O Gram, 14/8. Washington, D.C.: National Park Service. Retrieved April 13, 2009, from http://www.nps.gov/history/museum/publications/conserveogram/14-08.pdf

Kula, Sam. (2003). Appraising moving images. Lanham, Maryland: Scarecrow Press.

 

L:

 

Lawrence, Gregory W., & Council on Library and Information Resources. (2000). Risk management of digital information: A file format investigation. Washington, D.C.: Council on Library and Information Resources.

Library of Congress. (2002). Cylinder, disc and tape care in a nutshell. Preservation. Retrieved September 18, 2007, from http://www.loc.gov/preserv/care/record.html

Lindner, Jim. (1994, October). Videotape restoration--where do I start? Abbey Newsletter, 18(6). Retrieved October 23, 2007, from http://palimpsest.stanford.edu/byorg/abbey/an/an18/an18-6/an18-612.html

Lindner, Jim. (1994, November). Confessions of a videotape restorer: Or how come these tapes all need to be cleaned differently? Abbey Newsletter, 18(7). Retrieved October 23, 2007, from http://palimpsest.stanford.edu/byorg/abbey/an/an18/an18-7/an18-710.html

Lindner, Jim. (1994, December). The proper care and feeding of videotape. Abbey Newsletter, 18(8). Retrieved October 23, 2007, from http://palimpsest.stanford.edu/byorg/abbey/an/an18/an18-8/an18-808.html

 

M:

 

Manoff, Marlene. (2006). The materiality of digital collections: Theoretical and historical perspectives. Libraries and the Academy, 6(3), 311-27.

Martin, Abigail Leab (Ed.). (2001). AMIA compendium of moving image cataloging practice. Chicago, IL: Association of Moving Image Archivists and Society of American Archivists.

Miller, Karl. (2003, July 24-26). The case for audio preservation. Paper presented at the symposium on Sound Savings: Preserving Audio Collections. Association of Research Libraries, Austin, Texas. Retrieved September 24, 2007, from http://www.arl.org/preserv/sound_savings_proceedings/Audio_preservation.shtml

MiniDisc.org (n.d.). The MiniDisc community portal. Retrieved September 2, 2009, from http://www.minidisc.org/index.php

Murphy, William T. (1997, October). Television and video preservation 1997: A report on the current state of American television and video preservation: Report of the Librarian of Congress (Vol. 1). Washington, D.C.: Library of Congress. Retrieved April 13, 2009, from http://www.loc.gov/film/tvstudy.html

N:

 

National Archives and Records Administration. (n.d.). Frequently asked questions (FAQs) about optical storage media: Storing temporary records on CDs and DVDs. Records Management Resources. Retrieved August 20, 2009, from http://www.archives.gov/records-mgmt/initiatives/temp-opmedia-faq.html

National Digital Information Infrastructure and Preservation Program (NDIIPP). (2007a). Moving images: Preferences in summary. Sustainability of digital formats: Planning for Library of Congress collections. Library of Congress. Retrieved April 10, 2009, from http://www.digitalpreservation.gov/formats/content/video_preferences.shtml

National Digital Information Infrastructure and Preservation Program (NDIIPP). (2007b). Moving images: Quality and functionality factors. Sustainability of digital formats: Planning for Library of Congress collections. Library of Congress. Retrieved April 10, 2009, from http://www.digitalpreservation.gov/formats/content/video_quality.shtml

National Digital Information Infrastructure and Preservation Program (NDIIPP). (2007c). Sound: Format descriptions for sound. Sustainability of digital formats: Planning for Library of Congress collections. Library of Congress. Retrieved December 18, 2007, from http://www.digitalpreservation.gov/formats/fdd/sound_fdd.shtml

National Digital Information Infrastructure and Preservation Program (NDIIPP). (2007d). Sound: Preferences in summary. Sustainability of digital formats: Planning for Library of Congress collections. Library of Congress. Retrieved December 18, 2007, from http://www.digitalpreservation.gov/formats/content/sound_preferences.shtml

National Digital Information Infrastructure and Preservation Program (NDIIPP). (2007e). Sound: Quality and functionality factors. Sustainability of digital formats: Planning for Library of Congress collections. Library of Congress. Retrieved April 10, 2009, from http://www.digitalpreservation.gov/formats/content/sound_quality.shtml

National Digital Information Infrastructure and Preservation Program (NDIIPP). (2008). Format descriptions for moving images. Sustainability of digital formats: Planning for Library of Congress collections. Library of Congress. Retrieved April 10, 2009, from http://www.digitalpreservation.gov/formats/fdd/video_fdd.shtml

National Film and Sound Archive. (2007). Spoking. Retrieved May 25, 2008, from http://www.nfsa.afc.gov.au/preservation/audiovisual_terms/audiovisual_item.php?term=Spoking

National Film Preservation Foundation. (2004). The film preservation guide: The basics for archives, libraries and museums. San Francisco: National Film Preservation Foundation.

National Information Standards Organization (NISO). (2004). Understanding metadata. Bethesda, MD: NISO Press. Retrieved April 13, 2009, from http://www.niso.org/standards/resources/UnderstandingMetadata.pdf

National Information Standards Organization (NISO). (2007). A framework of guidance for building good digital collections. Retrieved April 13, 2009, from http://framework.niso.org/

National Initiative for a Networked Cultural Heritage (NINCH). (2002). The NINCH guide to good practice in the digital representation and management of cultural heritage materials. Retrieved April 13, 2009, from http://www.nyu.edu/its/humanities//ninchguide/

Noble, Richard. (1980). Archival preservation of motion pictures: Summary of current findings. American Association for State and Local History - Technical Leaflet 126.


O P Q R:

 

Paton, Christopher Ann. (1997). A review and discussion of selected acetate disc cleaning methods: Anecdotal, experiential and investigative findings. ARSC Journal, 28, 2-23.

Paton, Christopher Ann. (1998, Spring). Preservation re-recording of audio recordings in archives: Problems, priorities, technologies, and recommendations. American Archivist, 61, 519-546.

Pennavaria, Katherine. (2002, Spring). Film, CD and audio/video tape preservation: A serious problem for libraries. Kentucky Libraries, 66(2), 14-17.

Philips Electronics N.V. (1996). Digital Compact Cassette. Philips Sound & Vision. Retrieved August 31, 2009, from http://www.xs4all.nl/~jacg/philips/dcc.html#1

Poole, Francis C. (1999). Basic strategies for film preservation in libraries. Technical Services Quarterly, 16(4), 1-8.

Provine, Rick E. (2002). Video collection into the future. In Gary P. Handman (Ed.), Video collection development in multi-type libraries: A handbook (2nd ed.) (pp. 433-448). Westport, Conn.: Greenwood Press.

Rauch, Carl, Pavuza, Franz, Strodl, Stephan, & Rauber, Andreas. (2005, May 11-13). Evaluating preservation strategies for audio and video files. Paper presented at the DELOS Workshop on Digital Repositories: Interoperability and Common Services, Heraklion, Greece. Retrieved April 13, 2009, from http://www.ifs.tuwien.ac.at/~strodl/paper/rau_digrep05.pdf

Reilly, James M. (1993). IPI storage guide for acetate film. Rochester, N.Y.: Image Permanence Institute, Rochester Institute of Technology. Retrieved April 13, 2009, from http://www.imagepermanenceinstitute.org/shtml_sub/acetguid.pdf

RLG Cultural Materials Alliance. (2005). Descriptive metadata guidelines for RLG cultural materials. Mountain View, CA: RLG. Retrieved April 13, 2009, from http://www.oclc.org/programs/ourwork/past/culturalmaterials/RLG_desc_metadata.pdf

Rosenthal, David S.H., Robertson, Thomas, Lipkis, Tom, Reich, Vicky, & Morabito, Seth. (2005, November). Requirements for digital preservation systems. D-Lib Magazine, 11(11). Retrieved April 13, 2009, from http://www.dlib.org/dlib/november05/rosenthal/11rosenthal.html

Rubin, Nan. (2007, May 14). Everything old can be new again. Current. Retrieved December 19, 2007, from http://www.current.org/dtv/dtv0708preservation.shtml


S:

 

Schroeder, Don & Lare, Gary. (1979). Audiovisual equipment and materials: A basic repair and maintenance manual. Metuchen, N.J.: Scarecrow Press.

Schroeder, Don & Lare, Gary. (1989). Audiovisual equipment and materials: A basic repair and maintenance manual (Vol. 2). Metuchen, N.J.: Scarecrow Press.

Schuller, Dietrich. (2008, February). Audio and video carriers: Recording principles, storage and handling, maintenance of equipment, format and equipment obsolescence. Amsterdam: Training for Audiovisual Preservation in Europe (TAPE). Retrieved April 13, 2009, from http://www.tape-online.net/docs/audio_and_video_carriers.pdf

Schwartz , Eric. (1994, August). Depositing films with archives: A guide to the legal issues. National Film Preservation Board. Library of Congress. Retrieved April 13, 2009, from http://www.loc.gov/film/donate.html

Seadle, Michael. (1999). Preserving the spoken word: Six issues in search of a digital solution. Library Hi Tech, 17(3), 230-232.

Seubert, David. (2004, August 2-8). Guide to standards and recommended practices. Recorded sound roundtable meeting, annual meeting of the Society of American Archivists, Boston, MA.

Sheehan, Paul. (1990). A condition survey of books in Trinity College Library Dublin. Libri, 40(4), 306-17.

Smolian, Steve. (2005, September 18). Disaster recovery planning. Message posted to ARSCLIST. Retrieved April 13, 2009, from http://palimpsest.stanford.edu/byform/mailing-lists/arsclist/2005/09/msg00236.html

Stauderman, Sarah. (2003, July 24-26). Pictorial guide to sound recording media. Paper presented at the symposium on Sound Savings: Preserving Audio Collections. Association of Research Libraries, Austin, Texas. Retrieved September 6, 2007, from http://www.arl.org/preserv/sound_savings_proceedings/Pictorial_guide.shtml

Stumm, Carey. (2004). Preservation of electronic media in libraries, museums, and archives. The Moving Image, 4(2), 38-63.


T U V:

 

Talab, R. S. (1999). Commonsense copyright: A guide for educators and librarians (2nd ed.). Jefferson, N. C.: McFarland & Company.

Texas Commission on the Arts. (2004). Texas Commission on the Arts videotape identification and assessment guide. Retrieved October 16, 2007, from http://www.arts.state.tx.us/video/

Tillet, Barbara. (2004). What is FRBR? A conceptual model for the bibliographic universe. Washington, D.C.: Library of Congress Cataloging Distribution Service. Retrieved February 11, 2008, from http://www.loc.gov/cds/downloads/FRBR.PDF

Treadway, Toni. (2009). Home movies: A basic primer on care, handling, storage. Littlefilm.org. Retrieved April 13, 2009, from http://www.littlefilm.org/

Urbanski, Larry. (n.d.). Film cleaning techniques and tips. Urbanski Film. Retrieved April 13, 2009, from http://members.tripod.com/~Moviecraft/filmclean.html

U.S. Copyright Office. (2009). Rulemaking on exemptions from prohibition on circumvention of technological measures that control access to copyrighted works. Washington, D.C.: U.S. Copyright Office. Retrieved April 13, 2009, from http://www.copyright.gov/1201/

Van Bogart, John W. C. (1995, June). Magnetic tape storage and handling: A guide for libraries and archives. Washington, D.C.: The Commission on Preservation and Access; St. Paul, M.N.: National Media Laboratory. Retrieved April 13, 2009, from  http://www.clir.org/pubs/reports/pub54/index.html

VidiPax. (2007). Digitization reconsidered. Retrieved December 14, 2007, from http://www.vidipax.com/digirecon.php


W X Y Z:

 

Walker, Robin Gay, Greenfield, Jane, & Fox, John. (1985, March). The Yale survey: A large-scale study of book deterioration in the Yale university library. College and Research Libraries, 46(2), 111-132.

Warren, Richard Jr. (1994). Handling of sound recordings. ARSC Journal, 25(2), 139-162.

Warren, Richard Jr. (1993). Storage of sound recordings. ARSC Journal, 24(2), 130-158.

Weig, Eric, Terry, Kopana & Lybarger, Kathryn. (2007, May/June). Large scale digitization of oral history: A case study. D-Lib Magazine 13(5-6). Retrieved April 13, 2009, from http://www.dlib.org/dlib/may07/weig/05weig.html

Wheeler, Jim. (2002). Videotape preservation handbook. Hollywood, CA: AMIA. Retrieved April 13, 2009, from http://www.amianet.org/resources/guides/WheelerVideo.pdf

Wylie, S. Frank. (2008). Assessing the health of your film archive. Conservation Online. Retrieved April 13, 2009, from http://palimpsest.stanford.edu/byauth/wylie/assessment/ (unavailable as of 7/19/10)

Yee, Martha M. (2007). Moving image cataloging: How to create and how to use a moving image catalog. Westport, Conn.: Libraries Unlimited.