Previous: HUMANITIES AND THE ARTS PROGRAM SUBJECT FILE
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HUMANITIES AND THE ARTS PROGRAM CONFERENCES |
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| 35 | Lists of H/A Program Conferences and Meetings, 1958-76 | ||||||||||||
| Conference on the Economic and Social Position of the Artist and His Institutions--transcript of discussion, January 3-4, 1958 | |||||||||||||
| Participants include: | |||||||||||||
| Jean Dalrymple, Director, City Center of Music and Drama, Inc. | |||||||||||||
| John J. Emery, President, Cincinnati Institute of Fine Arts | |||||||||||||
| Howard Hanson, Director, Eastman School of Music | |||||||||||||
| Kenneth E. Hudson, Dean, School of Fine Arts, Washington University | |||||||||||||
| Milton Katims, Conductor, Seattle Symphony Orchestra | |||||||||||||
| Stewart Klonis, Executive Director, Art Students League of New York | |||||||||||||
| Archibald MacLeish, Boylston Professor of Rhetoric and Oratory, Harvard University | |||||||||||||
| Perry T. Rathbone, Director, Museum of Fine Arts, Boston | |||||||||||||
| Samuel Rosenbaum, Trustee, Music Performance Trust Funds of the Recording Industries | |||||||||||||
| Charles H. Sawyer, Director, Museum of Art, University of Michigan | |||||||||||||
| James S. Schramm, President, American Federation of Arts | |||||||||||||
| Henry Sopkin, Conductor, Atlanta Symphony Orchestra | |||||||||||||
| James J. Sweeney, Director, The Solomon R. Guggenheim Museum | |||||||||||||
| Howard Taubman, Music Critic, New York Times | |||||||||||||
| Charles Umlauf, Professor of Sculpture, University of Texas | |||||||||||||
| Nina Vance, Managing Director, Alley Theatre | |||||||||||||
| Conference of the Economic and Social Position of the Artist and His Institutions--transcript of discussion, January 17-18, 1958 | |||||||||||||
| Participants include: | |||||||||||||
| Reginald Allen, Executive Director for Operation, Lincoln Center for the Performing Arts, Inc. | |||||||||||||
| Henry F. Boettcher, Head, Department of Drama, College of Fine Arts, Carnegie Institute of Technology | |||||||||||||
| Saul Caston, Conductor, Denver Symphony Society | |||||||||||||
| Lamar Dodd, Chairman, Department of Art, University of Georgia | |||||||||||||
| Charles Farnsley, Founder, Louisville Fund | |||||||||||||
| Robert B. Hale, Curator of American Art, Metropolitan Museum of Art | |||||||||||||
| George A. Kuyper, Manager, Chicago Symphony Orchestra | |||||||||||||
| Howard Lindsay, Actor-Producer-Playwright | |||||||||||||
| Stanley Marcus, President, Nieman-Marcus | |||||||||||||
| Philip Rahv, Editor, Partisan Review | |||||||||||||
| Daniel Catton Rich, Director, Art Institute of Chicago | |||||||||||||
| Edgar P. Richardson, Director, Detroit Institute of Arts | |||||||||||||
| Andrew Ritchie, Director, Yale University Art Gallery | |||||||||||||
| Mrs. Otto L. Spaeth, Chairman of Exhibitions, American Federation of Arts | |||||||||||||
| Alice Taylor, Manager, Southern California Symphony Association | |||||||||||||
| Gid Waldrop, Editor, Musical Courier | |||||||||||||
| Conference on the Creative Writer--transcript of discussion, February 21-22, 1958 | |||||||||||||
| Participants include: | |||||||||||||
| Marshall A. Best, Editor, Viking Press | |||||||||||||
| Harold R. Brodkey, Writer | |||||||||||||
| John Ciardi, Department of English, Rutgers University | |||||||||||||
| Brewster Ghiselin, Department of English, University of Utah | |||||||||||||
| Donald Hall, Department of English, University of Michigan | |||||||||||||
| Frederick Morgan, Editorial Director, Hudson Review | |||||||||||||
| J. Kerker Quinn, Editor, Accent | |||||||||||||
| Karl Shapiro, Editor, Prairie Schooner | |||||||||||||
| Wallace Stegner, Department of English, Stanford University | |||||||||||||
| Hollis Summers, Department of English, Ohio University | |||||||||||||
| Peter Taylor, Department of English, Ohio State University | |||||||||||||
| Conference on Humanistic Scholarship--summary memorandum, March 14-15, 1958 | |||||||||||||
| Conference on Theatre--list of questions, April 21-22, 1958 | |||||||||||||
| Conference on the Visual Arts--transcript of discussion, April 25-26, 1958 | |||||||||||||
| Participants include: | |||||||||||||
| John T. Biggers | |||||||||||||
| Aaron Bohrod | |||||||||||||
| Colleen Browning | |||||||||||||
| Kenneth Callahan | |||||||||||||
| David Chapman | |||||||||||||
| Elaine de Kooning | |||||||||||||
| Philip Guston | |||||||||||||
| John Heliker | |||||||||||||
| Morris Kantor | |||||||||||||
| Mauricio Lasansky | |||||||||||||
| Katherine Nash | |||||||||||||
| Theodore Roszak | |||||||||||||
| Franklin Watkins | |||||||||||||
| C. Joan Watters | |||||||||||||
| Andrew Wyeth | |||||||||||||
| Includes letter from Ben Shahn | |||||||||||||
| Conference on Music--notes by WML, May 23-24, 1958 | |||||||||||||
| Participants include: | |||||||||||||
| Robert Bloom, oboist, Bach Aria Group | |||||||||||||
| Helen Boatwright, soprano | |||||||||||||
| Phyllis Curtin, soprano, New York City Center Opera Co. | |||||||||||||
| Norman Dello Joio, composer | |||||||||||||
| Carlisle Floyd, operatic composer | |||||||||||||
| Carroll Glenn, concert violinist | |||||||||||||
| Milton Katims, conductor, Seattle Symphony | |||||||||||||
| Leon Kirchner, composer | |||||||||||||
| Seymour Lipkin, concert pianist | |||||||||||||
| Gyorgy Sandor, concert pianist | |||||||||||||
| Claudette Sorel, concert pianist | |||||||||||||
| William Warfield, baritone | |||||||||||||
| Conference on Theater--transcript of discussion, April 3-4, 1959 | |||||||||||||
| Participants include: | |||||||||||||
| Boris Aronson | |||||||||||||
| F. Curtis Canfield | |||||||||||||
| Harold Clurman | |||||||||||||
| Alvin Epstein | |||||||||||||
| Mordecai Gorelik | |||||||||||||
| Uta Hagen | |||||||||||||
| Edward F. Kook | |||||||||||||
| Peter Larkin | |||||||||||||
| Arthur Miller | |||||||||||||
| Donald M. Oenslager | |||||||||||||
| Geraldine Page | |||||||||||||
| Alan Schneider | |||||||||||||
| Samuel Selden | |||||||||||||
| Lee Strasberg | |||||||||||||
| Nina Vance | |||||||||||||
| Eli Wallach | |||||||||||||
| Frank M. Whiting | |||||||||||||
| Nancy Wickwire | |||||||||||||
| Music Conference--transcript of discussion, April 10-11, 1959 | |||||||||||||
| Participants include: | |||||||||||||
| Kurt Herbert Adler | |||||||||||||
| Norman Dello Joio | |||||||||||||
| Herbert Elwell | |||||||||||||
| Leon Fleisher | |||||||||||||
| John Gutman | |||||||||||||
| Newell Jenkins | |||||||||||||
| Irene Jordan | |||||||||||||
| Miles Kastendieck | |||||||||||||
| Quincy Porter | |||||||||||||
| William Schuman | |||||||||||||
| Henri Temianka | |||||||||||||
| Virgil Thomson | |||||||||||||
| Gid Waldrop | |||||||||||||
| Alfred Wallenstein | |||||||||||||
| Young Professionals in the Arts Conference--transcript of discussion, June 12-13, 1959 | |||||||||||||
| Participants include: | |||||||||||||
| Frances Alenikoff (Dance) | |||||||||||||
| Olga Bellin (Theatre) | |||||||||||||
| Dale Benson (Theatre) | |||||||||||||
| Wendell Berry (Creative Writing) | |||||||||||||
| Ronald Binks (Visual Arts) | |||||||||||||
| Lee Bontecou (Visual Arts) | |||||||||||||
| David Burge (Music) | |||||||||||||
| Joseph Carow (Dance) | |||||||||||||
| Raymond Davis (Music) | |||||||||||||
| Mani Deligtisch (Visual Arts) | |||||||||||||
| Margaret Dunlap (Visual Arts) | |||||||||||||
| Betty Fitzpatrick (Theatre) | |||||||||||||
| Hannah Green (Creative Writing) | |||||||||||||
| Padma Hejmadi (Creative Writing) | |||||||||||||
| Milton Katselas (Theatre) | |||||||||||||
| Constance Knox (Music) | |||||||||||||
| Sally Laird (Visual Arts) | |||||||||||||
| Helen Raab (Music) | |||||||||||||
| Jerome Silberman (Theatre) | |||||||||||||
| Ben Whitten (Music) | |||||||||||||
| Astrid Wilsrud (Theatre) | |||||||||||||
| University Presses Conference--transcript of discussion, December 11, 1959 | |||||||||||||
| Participants include: | |||||||||||||
| Bernard Berelson | |||||||||||||
| Theodore C. Blegen | |||||||||||||
| Chester Kerr | |||||||||||||
| Richard M. Ludwig | |||||||||||||
| Conference on Communication in the American Theater--edited transcript of discussion from notes, December 18-19, 1959 | |||||||||||||
| Participants include: | |||||||||||||
| John Caldwell, University Theatre, University of South Florida (formerly Director, Department of Drama, University of Louisville) | |||||||||||||
| F. Curtis Canfield, Dean, School of Drama, Yale University | |||||||||||||
| Zelda Fichandler, Managing Director, Arena Stage | |||||||||||||
| Burt French, Director, Kalamazoo Civic Players | |||||||||||||
| Lewin Goff, Director, University Theatre, The University of Kansas | |||||||||||||
| William Graham, Department of Speech and Drama, Catholic University of America | |||||||||||||
| Barnard Hewitt, University Theatre, University of Illinois | |||||||||||||
| Theodore Hoffman, Head, Department of Drama, Carnegie Institute of Technology | |||||||||||||
| Jules Irving, Managing Director, The Actor's Workshop | |||||||||||||
| C. Lowell Lees, Head, Department of Speech, University of Utah | |||||||||||||
| K. Elmo Lowe, Director, The Cleveland Play House | |||||||||||||
| Louisette Roser Michaels, formerly Head, National Theatre Service of American National Theatre and Academy | |||||||||||||
| Howard R. Orms, Director, Des Moines Community Playhouse | |||||||||||||
| Norman Philbrick, Executive Head, Department of Speech and Drama, Stanford University | |||||||||||||
| Robert Porterfield, Director, Barter Theatre | |||||||||||||
| John Reich, Head, Goodman Memorial Theatre | |||||||||||||
| George Savage, Department of Theater Arts, University of California at Los Angeles | |||||||||||||
| Mack Scism, Director, Mummers Theatre | |||||||||||||
| Francis W. Sidlauskas, Executive Director, The Opera Group of Boston (formerly Chairman, Division of Theatre Arts, Boston University) | |||||||||||||
| L. Newell Tarrant, Managing Director, Erie Playhouse | |||||||||||||
| Robert S. Telford, Producer-Director, Virginia Museum Theatre | |||||||||||||
| Nina Vance, Managing Director, Alley Theatre | |||||||||||||
| Program for Directors Conference--transcript of discussion, August 21, 1961 | |||||||||||||
| Participants include: | |||||||||||||
| William Ball, Director, New York City | |||||||||||||
| Rachmael ben Avram, Director, Company of the Golden Hind, Berkeley | |||||||||||||
| Herbert Blau, Consulting Director, The Actor's Workshop, San Francisco | |||||||||||||
| Angus Bowmer, Producing Director, Oregon Shakespearean Festival, Ashland, Oregon | |||||||||||||
| James Clancy, Department of Speech and Drama, Stanford University, Stanford, California | |||||||||||||
| Alvin Epstein, Director, New York City | |||||||||||||
| Zelda Fichandler, Producing Director, Arena Stage, Washington, D. C. | |||||||||||||
| Philip Lawrence, Director, New York City | |||||||||||||
| John Reich, Head, The Goodman Memorial Theatre, Chicago | |||||||||||||
| Eli Rill, Director, New York City | |||||||||||||
| Alan Schneider, Director, New York City | |||||||||||||
| Mack Scism, Director, Mummers Theatre, Oklahoma City | |||||||||||||
| Nina Vance, Managing Director, Alley Theatre, Houston | |||||||||||||
| Program for Poets and Fiction Writers Conference--transcript of discussion, August 22, 1961 | |||||||||||||
| Participants include: | |||||||||||||
| George Garrett, poet and novelist; in residence at the Alley Theatre, Houston | |||||||||||||
| Herbert Gold Novelist; in residence at The Actor's Workshop, San Francisco | |||||||||||||
| Mark Harris Novelist; in residence at The Actor's Workshop, San Francisco | |||||||||||||
| Anthony Hecht, poet; in residence at the Actors' Studio and the Phoenix Theatre, New York City | |||||||||||||
| Jules Irving, Managing Director, The Actor's Workshop, San Francisco | |||||||||||||
| Molly Kazan, Actors' Studio, New York City | |||||||||||||
| William Meredith, poet; in residence at the New York City Opera Company and the Metropolitan Opera, New York City | |||||||||||||
| James Schevill, poet; in residence at Theatre Royal, Stratford East | |||||||||||||
| Peter Taylor Novelist; in residence at the Royal Court Theatre, London | |||||||||||||
| Nina Vance, Managing Director, Alley Theatre, Houston | |||||||||||||
| Richard Wilbur, poet; in residence at the Alley Theatre, Houston | |||||||||||||
| Program for Playwrights Conference--transcript of discussion, August 23, 1961 | |||||||||||||
| Participants include: | |||||||||||||
| Thomas Cullinan, author of Madigan's Wedding, first produced at the University of Utah, Salt Lake City, January 31, 1961 | |||||||||||||
| Zelda Fichandler, Producing Director, Arena Stage, Washington, D. C. | |||||||||||||
| Frank Gagliano, author of The Library Raid, first produced at the Alley Theatre, Houston, October 12, 1960 | |||||||||||||
| John B. Harding, author of Kinderspiel, first produced at the Boston University Theatre, November 5, 1959 | |||||||||||||
| Jules Irving, Managing Director, The Actor's Workshop, San Francisco | |||||||||||||
| C. Lowell Lees, Director, Department of Speech, University of Utah, Salt Lake City | |||||||||||||
| Sidney Michaels, author of The Plaster Bambino, first produced at The Actor's Workshop, San Francisco, September 22, 1959 | |||||||||||||
| John O'Shaughnessy, director of the first production of John B. Harding's Kinderspiel at the Boston University Theatre, November 5, 1959 | |||||||||||||
| Phillip Pruneau, author of The Morgan Rock, first produced at the Omaha Playhouse, September 25, 1959 | |||||||||||||
| Alan Schneider, director of the first production of Josh Greenfeld's Clandestine on the Morning Line at the Arena Stage, Washington, D. C.November 24, 1959 | |||||||||||||
| Seyril Schochen, author of The Moon Besieged, first produced at the Stanford University Theatre, October 28, 1959 | |||||||||||||
| L. Newell Tarrant, Managing Director, Playhouse, Erie, Pennsylvania | |||||||||||||
| Nina Vance, Managing Director, Alley Theatre, Houston | |||||||||||||
| John Vlahos, author of The Golden Age of Pericles Pappas, first produced at the Tulsa Community Theatre, October 15, 1959 | |||||||||||||
| Kendrick Wilson, Director, Omaha Playhouse | |||||||||||||
| Program for Concert Artists Conference--transcript of discussion, August 24, 1961 | |||||||||||||
| Participants include: | |||||||||||||
| Paul Creston, composer of Violin Concerto No. 2 for Michael Rabin | |||||||||||||
| Leon Fleisher, pianist; Leon Kirchner's Piano Concerto No. 2 written for him | |||||||||||||
| Lukas Foss, composer of Time Cycle for Adele Addison. | |||||||||||||
| Joseph Fuchs, violinist; Walter Piston's Violin Concerto No. 2 written for him | |||||||||||||
| Vittorio Giannini, composer of The Medead for Irene Jordan | |||||||||||||
| Irene Jordan, soprano; Vittorio Giannini's The Medead composed for her | |||||||||||||
| Leon Kirchner, composer of Piano Concerto No. 2 for Leon Fleisher | |||||||||||||
| Jacob Lateiner, pianist; work by Elliott Carter written for him | |||||||||||||
| Seymour Lipkin, pianist; Harold Shapero's Partita in C written for him | |||||||||||||
| Michael Rabin, violinist; Paul Creston's Violin Concerto No. 2 written for him | |||||||||||||
| Ben Weber, composer of Piano Concerto Opus 52 for William Masselos | |||||||||||||
| Program for Visual Artists Conference--transcript of discussion, August 25, 1961 | |||||||||||||
| Participants include: | |||||||||||||
| Josef Albers, painter, New Haven | |||||||||||||
| Elmer Bischoff, painter, San Francisco | |||||||||||||
| Hyman Bloom, painter, Boston | |||||||||||||
| Cosmo Campoli, sculptor, Chicago | |||||||||||||
| Philip Guston, painter, New York City | |||||||||||||
| Gabriel Kohn, sculptor, New York City | |||||||||||||
| Hilda Morris, sculptor, Portland, Oregon | |||||||||||||
| Gabor Peterdi, printmaker and painter, Rowayton, Connecticut | |||||||||||||
| Richard Pousette-Dart, painter, Suffern, New York | |||||||||||||
| Bernard Reder, sculptor, New York City | |||||||||||||
| Adja Yunkers, painter and graphic artist, New York City | |||||||||||||
| Conference on Program for Regional Ballet Students--transcript of discussion, August 28, 1961 | |||||||||||||
| Participants include: | |||||||||||||
| Karen Batizi, School of American Ballet (SAB) | |||||||||||||
| Anne Burton, SAB | |||||||||||||
| Gage Bush, SAB | |||||||||||||
| Kathleen Carlin, SAB | |||||||||||||
| Zola Dishong, San Francisco Ballet School (SFBS) | |||||||||||||
| Kathleen Doherty, SFBS | |||||||||||||
| Janie Ellis, SAB | |||||||||||||
| Suzanne Ficker, SAB | |||||||||||||
| Penelope Gates, SAB | |||||||||||||
| Ellen Gimpel, SAB | |||||||||||||
| William Glassman, SAB | |||||||||||||
| Cynthia Gregory, SFBS | |||||||||||||
| Hilda Morales, SAB | |||||||||||||
| Mimi Paul, SAB | |||||||||||||
| Nancy Robinson, SFBS | |||||||||||||
| Robert Rodham, SAB | |||||||||||||
| Clinton Rothwell, SFBS | |||||||||||||
| Christie Sharp, SFBS | |||||||||||||
| Marti Sisk, SAB | |||||||||||||
| Roberta Swing, SFBS | |||||||||||||
| Caroline Todd, SAB | |||||||||||||
| Robert Vickrey, SFBS | |||||||||||||
| Conference on Financial Problems of Young Artists--transcript of discussion, April 16, 1962 | |||||||||||||
| Participants include: | |||||||||||||
| Joseph T. Fraser, Jr., Director, Pennsylvania Academy of Fine Arts | |||||||||||||
| Stewart Klonis, Executive Director, Art Students League of New York | |||||||||||||
| Robin Laufer, Director, San Francisco Conservatory of Music | |||||||||||||
| Leopold Mannes, President, The Mannes College of Music | |||||||||||||
| Joseph McCullough, Director, Cleveland Institute of Art | |||||||||||||
| Peter Mennin, Director, Peabody Conservatory of Music | |||||||||||||
| Clement A. Miller, Dean, Cleveland Institute of Music | |||||||||||||
| Andrew W. Morgan, President, Kansas City Art Institute | |||||||||||||
| Mrs. Josephine Whitford, Dean, Manhattan School of Music | |||||||||||||
| Mitchell A. Wilder, Director, Chouinard Art Institute | |||||||||||||
| Chester W. Williams, Dean, The New England Conservatory | |||||||||||||
| Gordon Woods, Director, California School of Fine Arts | |||||||||||||
| Conference on Architects and Designers--transcript of discussion, June 14-15, 1962 | |||||||||||||
| Participants include: | |||||||||||||
| Pietro Belluschi, Dean, School of Architecture and Planning, Massachusetts Institute of Technology | |||||||||||||
| Peter Blake, Managing Editor, Architectural Forum | |||||||||||||
| John D. Entenza, Director, Graham Foundation for Advanced Studies in the Fine Arts | |||||||||||||
| Ulrich Franzen, New York City | |||||||||||||
| Thornton Ladd, Pasadena, California | |||||||||||||
| James Lamantia, New Orleans | |||||||||||||
| Mrs. Lois Langhorst, College of Environmental Design, University of California | |||||||||||||
| John Williams Lawrence, Dean, School of Architecture, Tulane University | |||||||||||||
| Ralph E. Rapson, Dean, School of Architecture, University of Minnesota | |||||||||||||
| Paul Rudolph, Chairman, Department of Architecture, Yale University | |||||||||||||
| Oskar Stonorov, Philadelphia | |||||||||||||
| Christopher Tunnard, Department of City Planning, Yale University | |||||||||||||
| Opera Conference--list of participants, February 13, 1963 | |||||||||||||
| Ballet Conference--transcript of discussion, August 9, 1963 | |||||||||||||
| Participants include: | |||||||||||||
| Thomas Armour, Director, Miami Conservatory, Miami, Florida | |||||||||||||
| Barbara Carson, Artistic Director, Austin Ballet Society, Austin, Texas | |||||||||||||
| Jan Collum Jan Collum Ballet Studio, Takoma, Washington | |||||||||||||
| Lillian Cushing, Lillian Cushing School of Ballet, Denver, Colorado | |||||||||||||
| Ruth Dyckman, Ruth Dyckman Ballet School, Clearwater, Florida | |||||||||||||
| Richard Englund, Director, Dance Department, Governor's School of North Carolina, Winston-Salem, North Carolina | |||||||||||||
| Edna Herzog, Director, Houston Youth Symphony Ballet Company | |||||||||||||
| Alan Howard, Director, Academy of Ballet, San Francisco | |||||||||||||
| Edith James, Edith James School of the Dance, Dallas, Texas | |||||||||||||
| Ruth Mitchell Kimbrell, Atlanta Concert Dance Group | |||||||||||||
| Irina Kosmovska, Los Angeles Junior Ballet | |||||||||||||
| Robert Lindgren, Lindgren-Tyven School of Ballet, Phoenix, Arizona | |||||||||||||
| Betty Hyatt Linton, New York City | |||||||||||||
| Alex Martin, Artistic Director, Cleveland Ballet Center | |||||||||||||
| Jacqueline Schumacher, Portland Ballet School, Portland, Oregon | |||||||||||||
| Josephine Schwarz, Artistic Director, Dayton Civic Ballet, Dayton, Ohio | |||||||||||||
| Statia Sublette, Artistic Director, Erie Civic Ballet Company, Erie, Pennsylvania | |||||||||||||
| Yvonne Terekhov, Academy of Ballet, Oklahoma City, Oklahoma | |||||||||||||
| Barbara Weisberger, Artistic Director, Wilkes-Barre Ballet Theatre, Wilkes-Barre, Pennsylvania | |||||||||||||
| E. Virginia Williams, Artistic Director, The Boston Ballet | |||||||||||||
| Conference on Archaeology--transcript of discussion, May 4, 1964 | |||||||||||||
| Participants include: | |||||||||||||
| William F. Albright, Baltimore, Maryland | |||||||||||||
| John D. Cooney, Cleveland Museum of Art | |||||||||||||
| James Griffin, Museum of Anthropology, University of Michigan | |||||||||||||
| Hugh Hencken, Peabody Museum of Archaeology and Ethnology, Harvard University | |||||||||||||
| Richard H. Howland, Smithsonian Institution | |||||||||||||
| Harald Ingholt, Department of Classical Languages and Literatures, Yale University | |||||||||||||
| Froelich G. Rainey, University of Pennsylvania Museum | |||||||||||||
| John Rowe, Department of Anthropology, University of California (Berkeley) | |||||||||||||
| Erik Sjovquist, Department of Art and Archaeology, Princeton University | |||||||||||||
| Robert Wauchope, Middle American Research Institute, Tulane University | |||||||||||||
| Gordon Willey, Peabody Museum of Archaeology and Ethnology, Harvard University | |||||||||||||
| Conference on Translation--transcript of discussion, October 16, 1964 | |||||||||||||
| Participants include: | |||||||||||||
| William Arrowsmith, University of Texas | |||||||||||||
| Joseph Barnes, Simon and Schuster, Inc. | |||||||||||||
| Peter H. Davison, Atlantic Monthly Press | |||||||||||||
| John Dimoff | |||||||||||||
| Robert Fitzgerald, Harvard University | |||||||||||||
| Robert Giroux, Farrar, Straus and Giroux | |||||||||||||
| Gerald Gross, The Macmillan Company | |||||||||||||
| Chester Kerr, Yale University Press | |||||||||||||
| Paul Henry Lang, Columbia University | |||||||||||||
| Robert Lowell, Harvard University | |||||||||||||
| Jackson Mathews, Bollingen Foundation | |||||||||||||
| Sidney Monas, University of Rochester | |||||||||||||
| Roger Shattuck, University of Texas | |||||||||||||
| Conference on Curatorial Training--transcript of discussion, October 22, 1964 | |||||||||||||
| Participants include: | |||||||||||||
| H. Harvard Arnason, Vice President for Art Administration, Solomon R. Guggenheim Foundation | |||||||||||||
| Richard F. Brown, Director, Los Angeles County Museum of Art | |||||||||||||
| John P. Coolidge, Director, Fogg Art Museum | |||||||||||||
| Sumner McKnight Crosby, Chair, Department of the History of Art, Yale University | |||||||||||||
| Marvin Eisenberg, Chair, Department of the History of Art, University of Michigan | |||||||||||||
| S. Lane Faison, Jr., Director, Williams College Museum of Art | |||||||||||||
| Martin Friedman, Director, Walker Art Center | |||||||||||||
| Henry R. Hope, Chair, Department of Fine Arts, Indiana University | |||||||||||||
| Walter W. Horn, Department of Art, University of California | |||||||||||||
| R. W. Lee, Department of Art and Archaeology, Princeton University | |||||||||||||
| Sherman E. Lee, Director, Cleveland Museum of Art | |||||||||||||
| Perry T. Rathbone, Director, Museum of Fine Arts (Boston) | |||||||||||||
| Daniel Catton Rich, Director, Worcester Arts Museum | |||||||||||||
| Andrew C. Ritchie, Director, Yale University Art Gallery | |||||||||||||
| Earl E. Rosenthal, Department of Art, The University of Chicago | |||||||||||||
| Merrill C. Rueppel, Director, Dallas Museum of Fine Arts | |||||||||||||
| Laurence Sickman, Director, Nelson Gallery of Art | |||||||||||||
| Seymour Slive, Acting Chair, Department of Fine Arts, Harvard University | |||||||||||||
| Joseph C. Sloane, Chair, Department of Art, University of North Carolina | |||||||||||||
| Craig Hugh Smyth, Director, Institute of Fine Arts, New York University | |||||||||||||
| John R. Spencer, Chair, Department of Fine Arts, Oberlin College | |||||||||||||
| Frederick S. Wight, Chair, Department of Art, University of California at Los Angeles | |||||||||||||
| Rudolf Wittkower, Chair, Department of Art History and Archaeology, Columbia University | |||||||||||||
| Otto Wittmann, Director, Toledo Museum of Art | |||||||||||||
| Conference on Archaeology--transcript of discussion, October 23, 1964 | |||||||||||||
| Participants include: | |||||||||||||
| Robert M. Adams, Director, Oriental Institute | |||||||||||||
| John Langdon Caskey, Head, Department of Classics, University of Cincinnati | |||||||||||||
| Albert Henry Detweiler, Associate Dean, College of Architecture, Cornell University | |||||||||||||
| Gordon Ekholm, Curator of Mexican Archaeology, American Museum of Natural History | |||||||||||||
| Jotham Johnson, Head, Department of Classics, New York University | |||||||||||||
| Ernst Kitzinger, Director of Studies, Dumbarton Oaks Research Library and Collection | |||||||||||||
| George E. Mylonas, Head, Department of Art and Archaeology, Washington University | |||||||||||||
| Irving Rouse, Department of Anthropology, Yale University | |||||||||||||
| Albert C. Spaulding, Head, Department of Anthropology, University of Oregon | |||||||||||||
| Raymond H. Thompson, Head, Department of Anthropology, University of Arizona | |||||||||||||
| Conference on Orchestral Musicians--transcript of discussion, July 13, 1965 | |||||||||||||
| Participants include: | |||||||||||||
| John L. Adams, Atlanta Symphony Orchestra | |||||||||||||
| Bonnie Bennett, Utah Symphony Orchestra | |||||||||||||
| Adolph Herseth, Chicago Symphony Orchestra | |||||||||||||
| Henry Larsen, Hartford Symphony Orchestra | |||||||||||||
| Walter Lawson, Baltimore Symphony Orchestra | |||||||||||||
| Wallace Mann, National Symphony Orchestra | |||||||||||||
| Rosario Mazzeo, Boston Symphony Orchestra | |||||||||||||
| Jess Meltzer, Minneapolis Symphony Orchestra | |||||||||||||
| Victor Rice, Cincinnati Symphony Orchestra | |||||||||||||
| John Richards, Portland Symphony Orchestra | |||||||||||||
| Achille Rossi, Indianapolis Symphony Orchestra | |||||||||||||
| George W. Schwartz, Symphony Society of San Antonio | |||||||||||||
| Verne Sellin, San Francisco Symphony Orchestra | |||||||||||||
| Ernest Walker, St. Louis Symphony Orchestra | |||||||||||||
| Gerald Zampino, Syracuse Symphony Orchestra | |||||||||||||
| Museum Art Directors Meeting--correspondence and draft of Lowry speech, April 14, 1967 | |||||||||||||
| Conference on Artists and Institutions--correspondence, November 3-4, 1967 | |||||||||||||
| Conference on Television as an Aesthetic Medium--correspondence (For reel-to-reel tapes of conference see Boxes 52-53), November 17-18, 1967 | |||||||||||||
| Conference on Production Subsidies of Performing Arts Groups--notes for agenda and list of participants, May 15-16, 1969 | |||||||||||||
| Conferences and meetings, 1966-76 | |||||||||||||
Next: HUMANITIES AND THE ARTS PROGRAM STAFF WORK FIELD NOTES